Decree of the Minister for Foreign Affairs No. 133 / 1980 Coll.
Decree of the Minister for Foreign Affairs on the Berne Convention for the Protection of Literary and Artistic Works of 9 September 1889, supplemented in Paris on 4 May 1896, revised in Berlin on 13 November 1908, supplemented in Bern on 20 March 1914 and revised in Rome on 2 June 1928, in Brussels on 26 June 1948, in Stockholm on 14 July 1967 and in Paris on 24 July 1971
Valid
Effective from 11.04.1980
Zobrazeno prvních 200 z celkem 408 ustanovení tohoto předpisu.
Zobrazit celý předpis →
Pro stažení celého znění použijte tlačítko Stáhnout výše.
133
DECLARATION
Minister for Foreign Affairs
of 8 July 1980
concerning the Berne Convention for the Protection of Literary and Artistic Works of 9 September 1886, supplemented in Paris on 4 May 1896, revised in Berlin on 13 November 1908, supplemented in Bern on 20 March 1914 and revised in Rome on 2 June 1928, in Brussels on 26 June 1948, in Stockholm on 14 July 1967 and in Paris on 24 July 1971
On 24 July 1971 the Berne Convention for the Protection of Literary and Artistic Works of 9 September 1886 was revised in Paris. The revision of the Berne Convention was approved by the Federal Assembly of the Czechoslovak Socialist Republic and ratified by the President of the Republic, subject to Article 33 (1) of the Convention. The Charter on Access of the Czechoslovak Socialist Republic was deposited with the Director-General of the World Intellectual Property Organisation on 11 April 1980.
For the Czechoslovak Socialist Republic, the revised Berne Convention entered into force pursuant to Article 28 on 11 April 1980.
The Czech translation of the text of the Convention is announced simultaneously.
First Deputy:
Ing. Book v. r.
BERNAN CONVENTION
on the protection of literary and artistic works of 9 September 1886, supplemented in Paris on 4 May 1896, revised in Berlin on 13 November 1908, supplemented in Bern on 20 March 1914 and revised in Rome on 2 June 1928, in Brussels on 26 June 1948, in Stockholm on 14 July 1967 and in Paris on 24 July 1971
States of the Union, accompanied by a common desire to protect the authors' rights to their literary and artistic works in an effective and uniform manner,
recognising the importance of the work of the review conference held in Stockholm in 1967,
Decided to revise An act adopted by the Stockholm Conference, leaving Articles 1 to 20 and 22 to 26 unchanged.
To this end, the authorised agents, after submitting their full powers, which were found to be in good and proper form, have negotiated the following:
States covered by this Convention shall constitute the Union for the protection of authors' rights to their literary and artistic works.
(1) The term "literary and artistic works" includes all the works of the literary, scientific and artistic field, regardless of the way or form of their expression, such as: books, brochures and other works of written nature; lectures, speeches, sermons and other works of the same nature; dramatic or musical dramatic works; choreography and pantomime; music compositions with or without text; film works to which they are assimilated in a manner similar to that of the film; works of drawing, painting, architectural, sculpture, engraving, lithographic; photographic works to which the work is assimilated in a manner similar to that of the photograph; works of art used; illustrations, geographical maps; plans, sketches and sculptures of geographical, victorial, architectural or scientific works.
(2) However, the legislature of the States of the Union reserves the option to provide that literary and artistic works or one or more categories of such works are not protected, unless they are recorded on a physical record.
(3) Translations, presentations, musical presentations and other processing of literary or artistic works are protected as original works without prejudice to copyright to the original work.
(4) The laws of the States of the Union shall provide for the provision of protection granted to official legislative, public administration and judicial texts, as well as official translations of such texts.
(5) Gatherings of literary or artistic works such as encyclopedia and anthology, which by way of selection and arrangement of content are mental creations, are individually protected without prejudice to copyright for each of the works which form part of such choirs.
(6) The works referred to in this Article enjoy protection in all Union States. This protection works for the benefit of the author and his legal successors.
(7) The laws of the States of the Union shall be reserved to adapt, taking into account the provisions of Article 7 (4) of this Convention, the scope of their laws to works of art used and to designs and models, as well as the conditions under which such works, designs and models are protected. For works which are protected only as models and models in the State of origin, only special protection such as that accorded to models and models in that State may be invoked in another State of the Union; However, if such special protection is not provided in that State, such works shall be protected as works of art.
(8) Protection under this Convention does not apply to daily reports or to various facts which are of the nature of mere printed information.
(1) The laws of the States of the Union reserve the possibility of excluding, in part or in whole, political speeches and speeches made in court proceedings from protection under the previous Article.
(2) The legislature of the States of the Union also reserves the possibility to lay down the conditions under which lectures, speeches and other works of the same nature, presented in public, may be reproduced in print, broadcast by radio or television, transmitted by wire to the public and be the subject of public dissemination pursuant to Article 11 bis (1) of this Convention, provided that such use is justified for information purposes.
(3) However, the author has the exclusive right to acquire a set of his works mentioned in the preceding paragraphs.
(1) Under this Convention:
(a) authors who are citizens of a Union State for their works, whether published or not;
(b) authors who are not citizens of a Union State, for their works first published in or at the same time in a non-Union State and in a Union State.
(2) Authors who are not citizens of one of the States of the Union but who are resident in one of the States of the Union are treated as citizens of that State for the purposes of this Convention.
(3) "Published parts" means works awarded with the permission of their authors, whatever the manner in which the copies are made, provided that the supply of such copies satisfies, taking into account the nature of the work, the appropriate needs of the public. Operation of a work of dramatic, musical or film, performance of a work of musical, public presentation of a work of literary, transmission of works of literary or artistic by wire, or broadcasting of their works by radio or television, exhibition of a work of art and building of an architectural work is not considered publication.
(4) The work shall be deemed to be published simultaneously in several States if it has been published in two or more States within 30 days of its first publication.
They shall be protected under this Convention even if the conditions referred to in Article 3 are not fulfilled,
(a) authors of film works whose producer has its registered office or permanent residence in a Union State;
(b) authors of architectural works built in the State of the Union or works of the arts of graphic and art forming part of a building located in the State of the Union.
(1) In relation to works for which they are protected under this Convention, authors shall have in other States of the Union, other than the State of origin, works of rights which the relevant laws already confer on their citizens or in the future, as well as rights specifically conferred by this Convention.
(2) The consumption and exercise of these rights are not subject to any formality; such ingestion and such exercise shall not depend on the protection in force in the State of origin of the work. Therefore, subject to the provisions of this Convention, the scope of protection and the legal means reserved for the author to defend his rights shall be governed exclusively by the laws of the State where the right to protection is applied.
(3) Protection in the State of origin is governed by national law. However, if the author is not a citizen of the State of origin of the work for which he is protected under this Convention, he will have the same rights in that State as the authors who are its citizens.
(4) The following shall be considered as originating:
(a) for works first published in the State of the Union, that State; However, if works are published at the same time in several States of the Union that provide different periods of protection, one whose legal order provides the shortest period of protection;
(b) works published simultaneously in a non-Union State and in a Union State;
(c) in the case of non-published works or works first published in a State which is not a member of the Union, without simultaneous publication in a Union State, the Union State of which the author is a citizen,
(i) the State of origin shall be the State of origin if the work of a film producer has its registered office or permanent residence in the State of the Union; and
(ii) if it is an architectural work built in the State of the Union or a work of the arts of graphic and visual art forming part of a building located in the State of the Union, that State is the State of origin.
(1) If a State which is not a member of the Union does not sufficiently protect the works of authors who are citizens of one of the States of the Union, that State of the Union may restrict the protection of works whose authors are citizens of that State at the time of their first publication and do not have their permanent residence in one of the States of the Union. Where this option is exercised by the State where the first publication took place, the other Union States shall not be obliged to grant more protection to works subject to this special scheme than they are granted in the State where the first publication took place.
(2) Any restriction introduced under the preceding paragraph shall not affect the rights acquired by the author in relation to a work published in a Union State before such a restriction is effective.
(3) The Union States which restrict the protection of the rights of authors under this Article shall inform the Director-General of the World Intellectual Property Organisation (hereinafter referred to as the Director-General) thereof by a written declaration indicating the States against which protection is restricted as well as the restrictions to which the rights of authors who are citizens of those States are subject. The Director-General shall immediately notify all States of the Union of this fact.
(1) Independent of copyright property rights and even after their transfer, the author has the right to apply his copyright to the work and to oppose any disfigurement, association or other change of work, as well as any other interference in the work which would prejudice his honour or reputation.
(2) The rights conferred on the author pursuant to paragraph 1 shall be maintained after his death at least until the end of the copyright property rights and shall be exercised by persons or institutions authorised to do so by the law of the State where the right to protection is applied. However, those States whose law in force at the time of ratification or accession to this Act does not contain provisions ensuring the protection of all rights recognised under paragraph 1 after the author's death may provide that some of those rights cease to exist.
(3) The legal means of protecting the rights conferred in this Article shall be governed by the law of the State where the right to protection is applied.
(1) The term of protection granted by this Convention shall last for the duration of the author's life and fifty years after his death.
(2) However, for film works, Union States may provide that the term of protection shall expire 50 years after the work has been made available to the public with the permission of the author, or that, unless such fact occurs within 50 years of the creation of such work, the term of protection shall expire 50 years after its creation.
(3) For anonymous or pseudonymised works, the term of protection granted by this Convention shall expire fifty years after the work has been lawfully made available to the public. However, if the author, accepted by the pseudonym, does not raise doubts about his identity, the period of protection provided for in paragraph 1 shall apply. Where the author of an anonymous or pseudonym work declares his identity during the period referred to above, the period of protection provided for in paragraph 1 shall apply. The Union States are not obliged to protect anonymous or pseudonym works which can reasonably be assumed to have been dead for 50 years.
(4) The laws of the States of the Union reserve the possibility of establishing a period of protection for photographic works and works of used art when protected as works of art; However, that period shall not be less than 25 years after the creation of such work.
(5) The period of protection following the death of the author and the time limits laid down in paragraphs 2, 3 and 4 shall begin to run from death or from the event referred to in those paragraphs, but the beginning of these periods shall always be considered as 1 January of the year following the death or the event in question.
(6) The Union States may grant protection periods longer than those laid down in the preceding paragraphs.
(7) The States of the Union bound by the Roman Act of this Convention which grant, under their national law, shorter periods of protection in force at the time of signature of this Act than those provided for in the preceding paragraphs may retain them when they accede to or ratify this Act.
(8) The period of protection shall in any event be governed by the law of the State where the right to protection is applied; However, unless otherwise provided for in the law of that State, the period laid down in the State of origin of the work shall not exceed.
The provisions of the previous article apply even if copyright belongs to the co-authors of the work and the time limits starting from the death of the author are calculated from the death of the co-author who survived.
Authors of literary and artistic works protected by this Convention shall have the exclusive right, throughout the duration of their rights to the original work, to translate or grant permission to translate their works.
(1) Authors of literary and artistic works protected by this Convention have the exclusive right to authorise the reproduction of such works in any way or in any form whatsoever.
(2) The laws of the States of the Union reserve the possibility of allowing the reproduction of such works in certain specific cases, provided that such reproduction does not interfere with the normal use of the work and does not cause unjustified harm to the legitimate interests of the author.
(3) Any audio or visual recording shall be considered a copy for the purposes of this Convention.
(1) Quotation from works which have been lawfully made available to the public, including those from newspaper articles and magazines in the form of press summaries, is permitted on condition that they comply with fair practice and to the extent justified by the purpose pursued.
(2) The laws of the States of the Union and the specific agreements which are or will be negotiated between them reserve the possibility of allowing, to the extent justified by the purpose pursued, the use of literary or artistic works for the purpose of visual instruction in publications, radio or television broadcasting or in audio or visual records, provided that such use complies with fair practice.
(3) For citations and uses referred to in the preceding paragraphs, the source and the author's name shall be indicated if this name is included in the source.
(1) The laws of the States of the Union shall be reserved to allow the reproduction of newspapers, periodicals or works of the same nature broadcast by radio or television, or to transmit to the public articles on current economic, political or religious issues published in newspapers or periodicals or works of the same nature, provided that reproduction, broadcasting by radio or television or such transmission is not expressly reserved. However, the source shall always be clearly indicated; the legal consequences of the infringement are determined by the legislation of the State where the right to protection is applied.
(2) It is also reserved by the legislature of the Union States to lay down the conditions under which literary or artistic works may be seen or heard at the time of reporting on the current events of photographs, film, broadcast or television or to the public via wire and made available to the public to the extent justified by the intended information purpose.
(1) Authors of dramatic, musical and musical works have the exclusive right to give permission:
(i) for the public operation and execution of their works, by any means or means whatsoever;
(ii) for the public transmission of the operation and execution of their works by any means necessary.
(2) The authors of dramatic or musical works have the same rights as regards translations of their works throughout their rights to the original works.
(1) Authors of literary and artistic works have the exclusive right to give permission:
(i) to broadcast their works by radio or television or to communicate them publicly by any other means for the wireless dissemination of characters, sounds or images;
(ii) any public communication by wire or wireless means of radio or television, where such communication is carried out by an organisation other than the original;
(iii) for the public communication of works broadcast by radio or television by a loudspeaker or any other similar device for transmitting characters, sounds or images.
(2) The laws of the States of the Union shall set out the conditions for the exercise of the rights referred to in paragraph 1, but the effectiveness of such conditions shall be strictly limited to those States which have determined them. In any event, they shall not be prejudicial to the author's personal rights or to the author's rights to reasonable remuneration, which he shall determine, if there is no agreement, by the competent State authority.
(3) If there is no reverse arrangement, the permission granted under paragraph 1 of this Article shall not include permission to obtain a record of a work broadcast by radio or television using a sound or image recording device. However, the law of the Union states reserves the right to modify the ephemeral record regime acquired by the radio or television organisation by its own means and for its own broadcasting. Such legislation may also allow the safekeeping of such records, if they are of an exceptional documentary nature, in official archives.
(1) Authors of literary works have the exclusive right to give permission:
(i) to give public lectures on their works, whatever manner or means of making such public speeches;
(ii) for public transmission of their works by any means necessary.
(2) The authors of literary works have the same rights as regards translations of their works throughout their rights to the original works.
Authors of literary or artistic works shall have the exclusive right to grant permission to process, modify or otherwise modify their works.
(1) Each State of the Union may, on its own, lay down reservations and conditions concerning the exclusive right conferred on the author of the musical work and on the author of the text which has already given permission to record it together with the musical piece, giving permission to record that musical work and, where appropriate, the text; However, the effectiveness of all such reservations and conditions shall be strictly limited to those States which have determined them and shall in no way prejudice the rights of those authors to an appropriate remuneration, which they shall determine, if there is no agreement, by the competent national authority.
(2) Records of musical works acquired in a Union State pursuant to Article 13 (3) of the Convention signed in Rome on 2 June 1928 and in Brussels on 26 June 1948 may be reproduced in that State without the consent of the author of the musical work for a period of two years from the date from which that State will be bound by this Act.
(3) Alerts issued pursuant to paragraphs 1 and 2 of this Article and imported without the consent of the parties concerned to a State where they are deemed to be unlawfully issued may be confiscated there.
(1) Authors of literary or artistic works have the exclusive right to give permission:
(i) for the processing and reproduction of such works and for the dissemination of such works;
(ii) for the public operation and execution and for the transmission by wire to the public of such processed or reproduced works.
(2) The processing of film works derived from literary or artistic works in any other artistic form remains, without prejudice to the right of their authors to grant permission, bound to the permission of authors of original works.
(3) Article 13 (1) cannot be applied.
(1) Without prejudice to copyright for any part, processed or reproduced, the work of the film is protected as the original work. The author of the original work, including the rights under the previous article, shall enjoy the same rights as the author of the original work.
(2) (a) Legislation shall be reserved for the State where the right to protection is applied in order to determine the copyright holder of the film part.
(b) However, in the Union States which, in their legislature, include authors who have made contributions to the creation of a film work, they cannot, if they have undertaken to make such contributions and if the opposite or special arrangement is not to prevent the reproduction, expansion, public operation and execution, transmission by wire to the public, broadcasting by radio or television, communication by the public, subtitle or dubbing of film works.
(c) The question whether, in order to apply the preceding subparagraph (b), the abovementioned obligation must take the form of a written contract or a written act of the same effectiveness shall be governed by the legislation of the States of the Union where the producer of the film work has its registered office or permanent residence. However, the law of the State of the Union where the right to protection is applied reserves the option of providing that the undertaking must take the form of a written contract or a written act of the same effectiveness. The States whose legislation so provides shall inform the Director-General by written declaration, which shall immediately communicate them to all other States of the Union.
(d) "reverse or special arrangement" means any restrictive condition, possibly linked to the abovementioned undertaking.
(3) Unless otherwise provided for in national legislation, the provisions of paragraph 2 (b) shall not apply to writers of scenarios, dialogues and musical works created for the production of a film work or to its principal director. However, those States whose legislation does not contain provisions anticipating the application of paragraph 2 (b) to that director shall inform the Director-General by written declaration, which shall immediately communicate them to all other States of the Union.
(1) The author or, after his death, persons or institutions authorised under national legislation have an inalienable right to a share of the proceeds of the sale of the work following the first transfer of ownership by the author of the work as regards the original works of art and the original manuscript of writers and composers.
(2) Protection under the preceding paragraph may be requested in a Union State only if it is permitted by the legal order of the State to which the author belongs and, to the extent permitted by the legal order of the State where that protection is applied.
(3) The method of selection and the amount of the share are determined by national legislation.
(1) In order for the author of a literary or artistic work protected by this Convention, unless proven otherwise, to be treated as such and therefore to be entitled to prosecute a breach of his rights in the States of the Union, it is sufficient for his name to appear on the work in the usual manner. This provision shall also apply where this name is a pseudonym, unless the author accepted a pseudonym raises doubts as to its identity.
(2) A person, natural or legal, whose name is normally indicated on the film piece, is considered to be the manufacturer of that work, unless proven otherwise.
(3) For anonymous works and for pseudonyms other than those referred to in paragraph 1 above, the author shall be deemed to be represented by a publisher whose name is on the work, unless proven otherwise; in this capacity he is entitled to defend and exercise the author's rights. The provisions of this paragraph shall not apply as soon as the author has declared his identity and demonstrated his authorization.
(4) (a) If the author's identity is not known for the non-published works, but it may be considered that the author is a citizen of a Union State, the legislature of that State shall be reserved to designate a competent authority representing the author and entitled to defend and exercise his rights in the Union States.
(b) States of the Union which accede to such designation under this provision shall inform the Director-General thereof by written declaration containing complete information on the body so designated. The Director-General shall immediately communicate this declaration to all other States of the Union.
(1) Any improperly obtained copy of the work may be confiscated in the State of the Union where the work is enjoying legal protection.
(2) The provisions of the preceding paragraph shall also apply to copies originating in a State where the work is not protected or where the protection has been lost.
(3) Confiscation shall take place in accordance with the law of the competent State.
The provisions of this Convention shall not affect the right of the Government of each State of the Union to authorise, control or prohibit the extension, operation and display of any work or product in respect of which the competent authority is to exercise that right by legislative or administrative provisions.
(1) This Convention shall apply to all works which have not yet become free in the State of origin at the time of its entry into force.
(2) However, if the work in the Contracting State in which the entitlement to protection is claimed has become a free expiry of the term of protection previously granted to it, the protection of such work shall not be renewed.
(3) This principle shall apply in accordance with the provisions contained in the specific conventions agreed or negotiated by the Union States to this end. In the absence of such provisions, the Member States concerned shall, as far as it is concerned, adapt the conditions for applying this principle.
(4) The previous provisions shall also apply to new approaches to the Union as well as to the extension of protection either under Article 7 or by waiving reservations.
The provisions of this Convention shall not preclude the exercise of a right of application of the wider protection which may be granted by the legislation of the State of the Union.
The governments of the Union States reserve the right to negotiate specific agreements between themselves if such agreements grant authors broader rights than those granted by the Convention, or if they contain other provisions which do not contradict this Convention. The provisions of existing agreements which comply with these conditions remain in force.
(1) Specific provisions on developing countries are contained in the Annex.
(2) With the exception of Article 28 (1) (b), the Annex forms an integral part of this Act.
(1) (a) The Union shall have a Assembly composed of those States of the Union which are bound by Articles 22 to 26.
(b) A delegate may be represented by the Government of each State, accompanied by alternates, advisers and experts.
(c) The expenditure of each delegation shall be borne by the government which appointed it.
(2) (a) Assembly
(i) discuss all issues relating to the operation and development of the Union and the application of this Convention;
(ii) gives the International Intellectual Property Office ("the International Office") referred to in the Convention establishing the World Intellectual Property Organisation ("the Organisation") 1 guidance for the preparation of review conferences, taking due account of the comments made by those States of the Union which are not bound by Articles 22 to 26;
(iii) examine and approve the reports and activities of the Director-General of the Organisation in relation to the Union and give him all necessary instructions on matters within the Union's competence;
(iv) elect members of the Executive Committee from the Assembly;
(v) examine and approve the reports and activities of its Executive Committee and give instructions to that Committee;
(vi) define the programme, adopt the three-year programme (2) the Union budget and approve its final accounts;
(vii) a resolution on the Union Financial Regulation;
(viii) establish committees of experts and working parties which it considers necessary for the achievement of the Union's objectives;
(ix) determines which non-member states and which intergovernmental and international NGOs may attend its meetings as observers;
(x) the amendments to Articles 22 to 26 shall be decided;
(xi) take other appropriate measures aimed at supporting the Union's objectives;
(xii) carry out any other task consistent with this Convention;
(xiii) exercise, subject to their adoption, the rights conferred upon it by the Convention establishing the Organisation.
(b) The Assembly shall decide on matters which also affect other institutions managed by the Organisation, taking into account the opinion of the Coordination Committee of the Organisation.
(3) (a) Each Member State of the Assembly shall have one vote.
(b) Half of the Member States of the Assembly shall form a quorum.
(c) Notwithstanding the provisions of subparagraph (b), if the number of States represented is less than half but is at least one third of the Member States of the Assembly, the Assembly may take decisions; However, with the exception of those relating to his agenda, the decisions of the Assembly shall be effective only after the following conditions have been met. The International Office shall communicate those decisions to the Member States of the Assembly which have not been represented and shall invite them to express their vote or abstention in writing within three months of the date of such communication. If, at the end of that period, the number of States which have expressed their vote or abstention in this way reaches the number of States missing to reach the quota at their own meeting, such decisions shall take effect provided that the required majority is achieved at the same time.
(d) Except as provided for in Article 26 (2), a two-thirds majority of the votes shall be required for the decision of the Assembly.
(e) Abstention does not count as a voice.
f) Each delegate may represent only one State and vote only on its behalf.
(g) States of the Union which are not members of the Assembly may attend its meetings as observers.
(4) (a) The Assembly shall meet at a regular meeting to be convened by the Director-General once every three years (2) in the calendar year, if not for exceptional circumstances, for the same period and place as the General Assembly of the Organisation.
(b) The Assembly shall meet at an extraordinary meeting convened by the Director-General at the request of the Executive Committee or at the request of one quarter of the Member States of the Assembly.
(5) The Assembly adopts its Rules of Procedure.
(1) The Executive Committee shall have the Assembly.
(2) (a) The Executive Committee shall consist of the States elected by the Assembly from its Member States. In addition, the State in whose territory the Organisation has its registered office shall, subject to the provisions of Article 25 (7) (b), have an ex officio seat in the Committee.
(b) The Government of each Member State of the Executive Committee shall be represented by a delegate who may be accompanied by alternates, advisers and experts.
(c) The expenditure of each delegation shall be borne by the government which appointed it.
(3) The number of Member States of the Executive Committee corresponds to one quarter of the number of Member States of the Assembly. When determining the number of seats that can be occupied, the remainder remaining after division by four shall not be taken into account.
(4) When choosing the members of the Executive Committee, the Assembly shall take due account of the uniform geographical distribution and the need for Member States constituting the Executive Committee to be represented by special Union Member States in relation to the Union established.
(5) (a) The members of the Executive Committee shall be in office from the end of the meeting of the Assembly at which they were elected until the end of the next ordinary meeting of the Assembly.
(b) The members of the Executive Committee may be re-elected, but not more than two thirds of them.
(c) The Assembly shall adjust the method of election and possible re-election of the members of the Executive Committee.
(6) (a) Executive Committee
(i) preparing the draft agenda for the Assembly;
(ii) the Assembly presents proposals for a programme and a three-year budget of the Union prepared by the Director-General;
(iii) approve, within the framework of the programme and the three-year budget, the annual budgets and programmes prepared by the Director-General;
(iv) submit to the Assembly an appropriate statement of the Director-General's periodic report and the revised annual accounting report;
(v) shall, in accordance with the decisions of the Assembly and taking into account the circumstances arising between the two ordinary meetings of the Assembly, take all measures necessary for the implementation of the Union Programme by the Director-General;
Sign in for notes, favorites and notifications
Regulation Information
| Citation | Decree of the Minister for Foreign Affairs No. 133 / 1980 Coll., on the Berne Convention for the Protection of Literary and Artistic Works of 9 September 1889, supplemented in Paris on 4 May 1896, revised in Berlin on 13 November 1908, supplemented in Bern on 20 March 1914 and revised in Rome on 2 June 1928, in Brussels on 26 June 1948, in Stockholm on 14 July 1967 and in Paris on 24 July 1971 |
|---|---|
| Regulation Type | - |
| Author | - |
| Collection | Code of Laws |
| Date of Promulgation | 08.10.1980 |
|---|---|
| Effective from | 11.04.1980 |
| Effective until | - |
| Status | Valid |
The regulation text is for informational purposes only.
Comments 0